em: kevin аτ blackistone.com
ig: @blackistone_

Exquisite Corpus

Human representation beyond the bias of the outer skin. ML blended radiology scans a multiple individuals as chimeric interior forms.
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Ars Electronica, 2022
Tokyo Private, 2022
ESCH2022 : AI & Art, 2022

Digital Nature Group & xDiversity at Miraikan, 2022

Microbiospheric Engineeering

Remapping the skin biome to populate a micro world. Proximal automata monitor the growth while drawing attention to the resource extraction of industrial machinery on our own planet.

Siggraph Asia, 2021

A Thousand Hungry Eyes

An e-paper stereoscope pans through blended archival erotic imagery to trace the origins of modern VR through those whose labors, frequently integral to new developments in technoscience, are historically and presently ignored and erased.

Made in dialogue with Gabriella Garcia
Decoding Stigma

Poetics of Obsolescence, 2022


Abstand Halten
Exploration of personal space as sonified diffusion rotary music box
On Spatial Relations

Ars Electronica Festival, 2021

Imaginary Network Topologies, 2021
Frequency Fridays, 2021

Imagined Devices and Protocols for Micro/Nano Material Manufacture

Machine-learning produced documents provide a machine's-eyed imagination of their own creation in text documents and imagined figures
Made in affiliation with the ENAS Fraunhofer Institute for display at Ars Electronica

Ars Electronica Center, 2021
ENAS Fraunhofer Institute, 2021

Extensions of the Self

Existence within a digital realm using virtual reality to present to participants a view of their immersed selves through each others eyes.
Transpositional Reality

Supported by the Rubys Arts Awards

Gallery 4, 2020

Radiant Flux

light and surface manifolds
Reactive tessalation & light-casted recursions
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Artscape, 2019
Brilliant Baltimore, 2019
Gallery 4, 2020

Phases in Architecture
To make apparent the architectural effects of environments through reflections on surrounding walls and the phasing and interference artifacts produced upon the projected frequencies.
Accoustics & Architecture

Inner structure of object manifold

Who's Watching
An interactive immersive critique of surveillance society in which participants simultaneously undertake the rolls of viewer and viewed.

Participants in each of two locations are surrounded by projections of those in the other while opening themselves to further data collection and biometric cataloguing.
Made possible through the Saul Zaentz Innovation Fund.

On Surveillance

Universal Content

Galactic formations from the cracks in a screen reflect on shrinking interactions with the universe in existence beyond it's borders.

(Motion || Dissolution)

Only constant interaction gives form and connection. Momentary rest only dissolves the digital self.

Serve Yourself

Guests dine at a table mapped with geometric forms and manipulated video of themselves


Glowing rolling lines && scientific hardware Research Expansion

Urban Fragmentation

Crystaline forms on urban detritus

Janet & Walter Sondheim Semifinalist Exhibition 2018; Baltimore, US

On Aging Structures


merging : diverging paths from two cities

Digital Cascade

Interactive installation
surveillance vs. privacy

flashing images of showering individuals, digitally destroyed
[TRT: 33:45]
Thought & Distraction

New Memphis

Vignettes of a dystopian future in a isolated city where a wealth based on electricity is centralized.

ZONES Arts Fair; Miami, US
Barbarella; Daegu, SK

Celestial I & II

Interactive pair exploring celestial bodies

GUISE at Maryland Art Place; Baltimore, US