Inner Radiance
About
Inner Radiance will present a first-of-it's-kind dance performance in which ultrasound will be used to build live-generated 3d renderings of the performers’ organic interiors as projected visual elements for the dancers to interact with; moving in, around and through. This work expands upon prior artistic explorations of medical imaging by being the first to use live captured volumes in a performative context. This performance will be presented in the large immersive format context the Deep Space 8k venue of the Ars Electronica Center; Premiering May 22, 2026
The field of medical imagery is commonly regimented to those tasks for which it was designed – the diagnoses of pathology. These medical contexts often limit the scope of creative exploration to those within the educational realm. Radiological presentations often portray the novel concepts of the technology, but frequently as a means to showcase the science itself. Thus many do not delve into the metaphorical possibilities presented in considering the body in the absence of it visual surface layer, nor regularly address concerns of medical science through a critical lens.These considerations are multi-fold but include how perception without the visual boundary strips away those associated biases of race and in some contexts gender. These same biases circle back to the diagnostic level as they have been been time and again the source of dismissal or misdiagnosis of medical concern.
Inner Radiance will expand upon the research found in Exquisite Corpus to reveal the light inside us all.
[soundtrack soon available on bandcamp]
CREDITS
Dance and Movement:
Laura GagliardiAriathney Coyne
Visual Design:
Kevin BlackistoneMusic Composition:
Kevin BlackistoneFunding:
Linz Media Arts AwardLand Oberösterreich
Addition Support:
Ars Electronica CenterFino
Premiering
Ars Electronica Center, Linz - May 2026
Spectral Phantoms
About
This work combines dance, imagery and sound to explore principles of the quantum world as a joint endeavour between The University of Arts and Design, Linz, Anton Bruckner Private University and the Institute for Quantum Optics and Quantum Information (IQOQI), Vienna. It exists as six movements that overlap in theme and design. To produce the visuals, I considered aspects including quantum uncertaintly, oscillation, wave particle duality, tuneling, gravity, spherical harmonics, simultaneity and symmetry. These are generated in concert between the Pharus tracking system and VVVV visual design software to produce content that both reacts and maps to the positions of the performers, while additionally reacting the the pre-composed audio.
The concept of the phantom occupies the public zeitgeist in myriad forms. Commonly, it is an incorporeality of spirit. As a physical, interior concept it is the consciousness which pilots so much meat. In medical ultrasound, a “phantom” is a synthetic organic assemblage, used for training the technician in their craft. Such are typically comprised of a form of gelatinous substance with additives to simulate tissue, bone, veins, and the like. Here, the synthesis is speculative in form.
Phantoms are a synthesis of the body, while the performance uses the ultrasound result for its own sound synthesis – If a synthesis is produced by a synthetic, is it anything but a phantom? Spectral Phantoms seeks auditory ghosts *via* the machine. Phantoms designed not for medical training, but for synthesis capabilities, create not only an avenue for unique auditory soundscapes, but visually compelling speculative body-forms – needing not conform to any part of a real or existing physiology. In probing the self, we find our phantom, yet what do we find in probing the speculative phantom.
That which is spectral likewise is layered in meaning. Again, it means the phantasmagoric, but it covers as well the frequency ranges of wave-based systems. In the translation of the body via phased array ultrasound to visual image slice, then to inverse Fourier transformed spectra it merges the physical, and incorporeal. The body real and phantom synthetic combine as audio-visual specter.
Performed
Schmiede Hallein Werschau, Hallein
Sankt Interface, Linz
































